Tuesday, August 30, 2011

"Happy Birthday!" to the mother of us all

 Miniature portrait of Mary Shelley by Reginald Easton. Image found here. Copyright the University of Oxford.

On this day in 1797 Mary Wollstonecraft Godwin Shelley was born. Her novel Frankenstein is unique in its influence on the popular culture of  English-speaking Western nations. (Of course, non-English-speaking nations have embraced her "horrible progeny" too.) The most successful Gothic novel ever--it has never been out of print--Frankenstein is the first truly important work in the literary traditions that came to be called "science-fiction" and "horror."

It was the work of the fertile imagination of a teenage girl! This fact forced male readers of the first half of the 19th Century to accept, if only grudgingly and privately, that women (or girls, really) were as capable of forcefully confronting dark themes and taboo topics as male writers. She was ahead of her time.

The writer Joyce Carol Oates deemed Frankenstein a unique novel, "if a novel at all;" an awkward patchwork blending Romantic, allegorical, and philosophical materials. (Not unlike Frankenstein's Monster himself.) Oates describes Frankenstein as being held together at its "deepest level" with subconscious elements that are "hallucinatory and surreal."

At the center of the unreal setting that seems to be Europe of the early Industrial Age is Frankenstein's "demon"--as the artificially created man is often referred to Shelley's book--who is both Adam and Satan: unique, alone, outcast.

And powerful only through anger and sin.

What horror-lover has not seen themselves that way? Who in our deliciously morbid community of fans has never identified with a glorious, destructive monster in a book or a movie?

Mary birthed the first monster of the modern age.We are all her stepchildren.
 __________________

Related: My birthday wishes for Mary Shelley in 2007 (where I found a lesser-seen portrait of Mary, perhaps inaccurate) and 2009, when I talked to her ghost!


Thursday, August 25, 2011

Casey: 30 Years Later

 In the middle of photo above is actress Beverly Bonner playing the prostitute "Casey" in Frank Henenlotter's cult fave, Basket Case; Ms. Bonner's appeared in nearly all of Henenlotter's films. Recently, she was in Pittsburgh at the Hollywood Theater screening of Basket Case to premiere a new one-act play she's written called Casey: 30 Years Later. The event was sponsored by the imaginative and fun staff of Pittsburgh's Horror Realm convention.

 The premise is that Casey, even brassier and sassier than in her youth, now runs a call girl service for elderly hookers, and is visited by a young journalist who wants to interview her about the people--including the monstrous Belial--seen in the cult movie. (Belial, as it turns out, didn't die.) The show blurred the line between the world of the fictional Basket Case and the world of fans of the film, winkingly raising the idea that the movie was a documentary!

Belial!
 Like the Henenlotter universe it sprang from, Casey: 30 Years Later was crass and tasteless.

And like Frank's films, it was also very funny! I laughed so hard at one point the row in front of me jumped--but they were laughing, too. I thought this was a smart event--more than a personal appearance of an actor at a film showing, this extended the movie's story. Henenlotter gave Ms. Bonner his blessing for the show because he enjoys her comedic talent. It was amply on display here, as she added bits of spur-of-the-moment improv that made the sketch funnier, such as when her costume threatened to malfunction during a cross! I also noticed that Ms. Bonner had written in a few of her better jokes from her stand-up act. (As a guy who supports recycling, I like it when material is saved from a data dump! I do it here all the time!)

Some lines were funny because they were sudden and surprising, and played almost like non-sequiturs. A sample, referring to Belial: "He's ugly as hell, but he knows how to handle a breast."

Beverly Bonner and co-star Michael Varrati on the "set" for Casey: 30 Years Later.
 Sadly, equipment  failure ended the movie halfway through the screening, but because Ms. Bonner's act followed the film, "Casey" saved the day!

Prior to the screening was an appearance by talented comic artist and writer, Joshua Emerick. Basket Case has been turned into a comic strip published monthly in the venerable horror mag, Fangoria, and Emerick is the man behind the art and text new feature. He spoke about his love of the film, how Henenlotter was at first afraid to consider the idea (Frank's now enthusiastically involved, suggesting ideas) and how his three year old daughter loves watching the original Basket Case with him. (!)

 With Emerick was the comic's colorist, Eric Kochanski.
Beverly Bonner, Joshua Emerick, and Eric Kochanski
 The host of the evening was Horror Realm's Barnabus Bailey. Below is Barnabus with actor and film blogger Michael Varrati. In his online film appreciation column, Varrati nails Henenlotter as being like a "12 year-old boy [who] finds the most disgusting things endlessly amusing." (Well, I never grew up either.)


   Also in attendance was genre film reviewer and historian Tim Gross, who has long championed Basket Case as under-appreciated. I think cult horror fans agree!
Barnabus Bailey and Tim Gross.
The folks of Horror Realm asked me to interview Bev Bonner and Michael Varrati after the play, and it was a delight and a privilege.Ms. Bonner and Michael Varrati each talked about working with one of John Waters' recurring performers--Divine and Mink Stole, respectively--and reported that neither was anything like the loud, impulsive, vulgar screen characters they played. Ms. Bonner and Michael Varrati similarly agreed that for themselves as performers, outre material was more involving than any classic dramatic fare they've done.

Ms. Bonner, who studied at the National Academy of Dramatic Arts, said it had not prepared her for the phoniness and blandness of the Hollywood entertainment industry, and she far preferred to stay in New York.
Above, left to right: Max the DSH, Barnabus Bailey, Eric Kochanski, Beverly Bonner, Sandy Stuhlfire of Horror Realm, and Michael Varrati.
A lighted birthday cake was brought out at the end for Ms. Bonner to make a wish on. Ms. Bonner says she wants to present Casey: 30 Years Later at horror cons around the country, and I hope she gets that wish!

Wednesday, August 24, 2011

O my throbbing heart...

Lara Spencer, a host for ABC's Good Morning America program, appeared this week as a bodiless head. This news makes swoon--one of my own kind at last on TV, and she's so beautiful and charming!

I've only seen this photo of Lara Spencer's newly freed (and free-floating) head--no video. Friends are telling me something about a "green screen" and it being an illusion, but I know what I see. A living severed head breaks the glass ceiling! About time!

Saturday, August 20, 2011

Wish FRANKENSTEINIA "Happy Birthday!"

One of my favorite blogs, Frankensteinia, is four years old today!

And proprietor Pierre Fournier's other blog, Monster Crazy, is three years old today!

Leave ol' Pierre good wishes!

Friday, August 19, 2011

Was the film BASKET CASE a documentary?


You'll find out the startling answer to that question, and you'll learn who the people in the banner above are, this weekend!


Thursday, August 18, 2011

Cool cartoons for a warm day

I found some cartoons from Mad and The New Yorker on my hard drive that a friend photocopied and sent to me. All rights belong to the artists and magazines the cartoons appeared in and are shared here only temporarily.

Ah, the great black-and-white art of the amazing Sergio Aragones, a cartoonist who has been both prolific AND funny for several decades.



Currently at The New Yorker website, this cartoon from their regular feature "Caption Contest" is on display:

 My favorite suggested caption reads "We're sorry about your cat, but he was eating the slower children."
It was submitted by Steven Woof of Aventura, Florida.

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