Showing posts with label makeup/masks/costumes. Show all posts
Showing posts with label makeup/masks/costumes. Show all posts

Saturday, December 24, 2011

TDSH classic post: Hairy, Scary, Bavari-an Christmas

Above is a picture from Global Post on the monstrous German Christmas character, Krampus. From their web article "8 wacky holiday traditions."

Last year, I posted some photos similar to the one above, taken by a German-American friend while she was visiting the state of Bavaria. She was generous to share them with TDSH. Below is that post.

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Below are scans of pics lent by friend Steffi Staley of a Christmas parade in the German state of Bavaria, where Santa's evil sidekick Krampus, his demon friends, and witches all appear, the better to scare kids into being good. (A tradition I think is great for children-- although some disagree.)

This is a tradition that I wish would flourish here-- hey, we got the Christmas tree and Santa Claus from the Old World, why not Krampus and his kind? I live in a section of Pittsburgh that was home for the German immigrant community in the 19th and early 20th centuries, but the "Pennsylvania Dutch" Christmas monster known as Belsnickel seems to have disappeared completely from Christmas celebrations here. What a shame!

















Merry Christmas!

Monday, August 23, 2010

Horror Scholarship announced!
















I've learned of a great opportunity for macabre-minded college kids. Star Costumes, one of the top suppliers of costumes, makeup, and masks to the American public, is getting civic-minded for a select student! Below is their announcement of a horror scholarship. (How cool izzat?)

To apply, just click on the jack-o-lantern icon at the top of the column to the right.

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The 2010 Star Costumes Horror Scholarship

Star Costumes is awarding $1,000 to a student studying to work in the horror film industry.

Why a Horror Scholarship?

We love horror! We make our living selling scary costumes, makeup and masks, and we owe a lot of our success to the creative output of the horror industry. This scholarship is our way to give back, and to help the horror industry continue to terrify us in the years to come.

Currently, there are no other scholarships designed specifically for students planning to enter the horror industry. Our goal is provide assistance to help the brightest and most creative students meet their expenses and help launch their career in horror cinema.

Eligibility Requirements:

Horror Scholarship candidates must meet the following criteria:

  • A student with a 3.0 GPA;
  • 18 years or older;
  • who's currently studying full-time at a undergraduate or graduate post-secondary institution.

The student must be studying in a field designed to prepare them for work in the horror industry. This could include careers such as:

  • Makeup artist
  • Special effects artist
  • Costume designer
  • Set designer
  • Lighting designer
  • Film sound artist
  • VFX/CGI artist
  • Postproduction specialist
  • Film critic
  • Screenwriter
  • Cinematographer
  • Director
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What great back-to-school noose! I wish there was something like this when *I* was a full-time college student and bodily complete!

Monday, February 15, 2010

The semi-goth Mouseketeer: Almost perfect


Above is part of a beautiful photo taken of smart, funny and attractive performer Tina Fey, and featured in an interview with Fey at the Vogue website.

Tina's outfit is nearly perfect. It only needs bat wings! Oh, and the mouse ears outta be pointed.

I think I'll dream of her in THAT outfit tonight.

Tuesday, November 10, 2009

In Chicago this Friday the 13th?


If YOU will be in the Chicago area this Friday, Nov. 13th, check out the sale at HORRORBLES! It's the coolest store in Berwyn, Illinois! (A better compliment is to mention that it's the official sore--I mean STORE!--of Fangoria Entertainment!) It's Illinois' best-known horror and sci-fi memorabilia shop!

This Friday HORRORBLES will be open thirteen hours (11:00 AM to the bewitching hour of midnight!) and everything will be 13% off!

And at 11:00 PM, HORRORBLES will be showing Friday The 13th (1980) and Friday The 13th VII (1988) in their Galerie Theatre! $5 gets you popcorn and soda, and there's only 16 seats in the theatre, so call the store or stop in to reserve your spot!

HORRORBLES sells autographs, prints, t-shirts, toys, masks, movies, models and magazines! And more! (Oh, the only models they sell are of the "plastic, glue together" type--none of the "Elle Macpherson" type, sadly.) They are located at:

6729 W. Roosevelt Rd.
Berwyn, IL.
60402
Phone # (708)-484-7370

Tuesday, November 3, 2009

HOUSE OF THE WOLF MAN: A review

Above: Promo artwork for House of the Wolf Man by the talented Chris Kuchta. Source found here.


Old horror movies, and movies made with an obvious love of creature feature classics, (like The Monster Squad) are my bag, man.

My opinion of the new "old" film House of the Wolf Man ? Man, it's a mixed bag!

The plot of this black and white homage to the horror hits of yesteryear, according to its IMDB page, is "Five strangers are invited to a castle under the pretense that one may inherit it. Little do they know what dangers await at the House of the Wolfman." There's also a curse, mad science, and some dark family secrets waiting to be exposed, too.

Bad news (as I see it) first: the writing, direction, and acting are very uneven. The writing is generally pastiche Universal Gothic, which is a plus. I like my horror old-fashioned, very much so.

But the script reminds me less of The Cat and The Canary, The Old Dark House or any of the Frankenstein and Wolf Man movies, which is what I think it shoots for, than lesser efforts like Horror Island and the 1941 The Black Cat (with, wisely, less "comedy relief.") Throughout, the acting ranges from bad to well done; a better consistency in the performances would have helped. Too, not all of the performers seemed to be experienced professionals. However, the actors Dustin Fitzsimons (playing the young male lead "Reed Chapel"), Jeremie Loncka (the bespectacled brainiac "Conrad Sullivan") and Cheryl Rodes as the sexy "Elmira Cray" showed the most skill as performers, I thought, and I enjoyed watching them work their craft.

I found myself occasionally wishing that the camera moved more. My impression, after only one viewing, was that wasn't as much camera movement as in films like Bride of Frankenstein or other classic horror films. Not a huge distraction, but it registered. But there's not a LOT of camera movement in good television series either, and as most people are going to see this on a smaller screen, it's probably the complaint is a minor one.

The movie includes sly visual references to the original The Wolf Man, and presents a story that would fit into the classic Universal "universe." Some of the script elements indeed honor the best traditions of old Universals. But sometimes, sadly, the worst as well.

For example, there was some not-very-funny comedy relief, and a couple of examples of outright send-up: an African native character actually says "Cowabunga, oomgowa!" at one point, and another African native character sees a monster and we are shown a closeup of him doing a "Buckwheat"-style, big-eyed, jaw-dropping take. And in a climactic fight, we see the stone walls of the castle shake when hit three times.

I think these things were included to make the film more "authentic," in a sense--but I feel it was a mistake not to scrap them. Fans can forgive such bad choices and bloopers in old movies, but who wants them included in a NEW film trying to be like the horror classics of yesteryear? I don't, and my wife felt the same way. They pushed the film briefly into parody, not pastiche, and as the film is apparently intended as a tribute to the classics, they're out of place. (Again, IMHO--your mileage may vary.)

The scenes of actor and Lugosi impersonator Michael Thomas as Dracula don't make up much more than a cameo, and his last line is the end of the film. Unfortunately, the line isn't very dramatic, and I thought all the momentum of the film evaporated with his last scene, making for an unsatisfying coda.

Now the GOOD news! The lighting, the sets, the set decoration and props, costumes, makeup, and fight choreography are ALL excellent. It looks much better than I expected. (I'm guessing it was shot on hi-def video; it was presented in digital projection.) When there are so very few new movies to see in "glorious black and white", it is wonderful to see one done with such care.

The musical score by Nate Scott is a fantastic asset to the film ; an evocative piece of composition that aids in creating mood and tension.

WARNING: Two small spoilers ahead!

There are two scenes in the film that will stand up to the test of time, and remain in the memories of viewers. The first one involves a mysterious, badly disfigured character revealed in a hidden room. It was one of the creepiest scenes I've ever seen, and I thought one that Browning would have been proud of. The other is the film's climactic fight between the Wolf Man and Frankenstein's Monster--it is what the fight in Frankenstein Meets the Wolf Man SHOULD have been! Great choreography, editing, and camera work come together to make it marvelously memorable. I loved it.

So House of the Wolf Man, if I had to rank it with any of the Universal monster movies, would be somewhere between House of Dracula and Frankenstein Meets the Wolf Man in quality. Which is fitting, I suppose, because it mostly goes in for a 1940s Universal flavor. Too bad that was a lesser decade for GREAT horror films! Still, if only for the look of the film, the music, the makeup, and the two scenes I pointed out for special praise, you should go see it.

Update: I posted pics from the screening here.
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Another, more positive review, can be found HERE.

Chris Kuchta's website is here.

Friday, October 30, 2009

Worst Masks Ever!

The subject line might be misleading--I mean "worst" not in terms of design, but in terms of construction and practicality.

From 2006 through 2008, full-size candy masks were sold in many outlets around the country. Seems like a cool idea, but hell, you couldn't hold 'em against your face long, and once you did wear them and get them sweaty, you wouldn't want to eat them! And they're huge--take you a week to eat 'em, and by then mold spores or ants have gotten to 'em anyway. Yikes!




Just as bad as candy masks are sticker masks. Here are pics of some Jane and I found of this really bad idea for Halloween disguise:

No, they won't wrinkle, sag and look bad in ten minutes, or itch in five. Of course not. How could I think such a thing?

A precursor to those dumb paper sticker masks are starched cheesecloth masks. They've been around since at least the 1930s, and possibly earlier. My older brother and father remember wearing them, and how soggy your exhaled breath got them. Of course, by the end of trick-or-treating, you had a sort of melted look on your puss.

Here's an example in remarkable shape after many decades, proving it got little use:

Of course, during the Depression and until the Fifties, modern plastics were not available. Perhaps more durable in use were cardboard masks like these old Depression-era devils:


But the very worst mask idea is a kind you see, rarely, on adults--the permanent kind:


I suppose, if you want to become one with your "mask", to change your mundane life's role into one more like the one in your head, the one you wished been born into, it's the best mask. But talk about a mask that'll get distorted, wrinkled, and saggy! And if you find a different mask you want to become one with later, that's too bad.

These guys shoulda learned how to put on makeup.

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Thanks to Bobby Beeman for some of the candy mask pics.

Image source for demon lollipop mask: Flickr account of RhiaP

Image source for face tattoos found here.

Image sources for Lollipop Masks are here and here.

Gauze mask images found on eBay.

Friday, June 5, 2009

Monsterpaloozy was a doozy!


The West Coast AT LAST has a convention for classic monster fanatics. The first ever MONSTERPALOOZA was held in May in Burbank, CA, and by every report, was a superb event. Crammed with models, masks, makeup and effects artists doing their stuff, panels and presentations, genre actors to meet, and vendors galore, the buzz afterward has been overwhelmingly positive. Better than a poke in the eye with a sharp stick! (Or a missile, in the case of the above pic.) Creator/producer Eliot Brodsky deserves a kajillion kudos!

Master monster model-maker Jim Bertges, writer for KIT BUILDERS magazine, and loyal reader of TDSH, (seen below right with monster mensch Richard Olson) sends this report:


"I don’t want to sound like I’m complaining or anything, because where I live, Southern California, is a pretty easy place to get used to. Sure our hills catch on fire every summer, and the ground shakes a bit from time to time, but we don’t have tornadoes, blizzards, floods or even much rain or snow on a regular basis. However, you’d think that the Los Angeles area, center of the film industry, home of Special Effects and Mecca of Monster Make-up could muster one measly little interesting show for those of us who enjoy our creepy creatures and menacing menaces and all the products and memorabilia that comes with them every once in a while. We’ve had shows in the past, but they’ve come and gone, leaving us reading us reading about far off places like Kentucky or New Jersey or even England where annual shows celebrating monster stuff, horror films and all the accoutrements are well-attended events. Well, we finally got a good one, Monsterpalooza! It’s about dang time.

"Presented by Elliot Brodsky’s Rubber Room, a site devoted to collecting all sorts of latex masks, Monsterpalooza was held at the end of May in Burbank, right across the street from the Bob Hope Airport. The venue was the Marriot Hotel Convention Center and it was the perfect size for the event. Not so large that everything was spread out and not so small that everyone was piled on top of each other. The great thing that was done with this show was securing the participation of many of the Special Effects shops that are in the near by area. Not only did Amalgamated Dynamics, KNB EFX, The Chiodo Brothers, Burman Industries and many other high end movie effects and make up companies attend, they brought some of their coolest stuff along and set up a walk through exhibit featuring dozens of full sized creatures and props from movies too numerous to mention.


"This display was complimented by panels, discussions and demonstrations of make uptechniques as well as tributes to well-known makeup artists of the past like Jack Pierce, John Chambers, the Westmores, Tom Burman and Dan Striepeke.


[Makeup artist John Goodwin made TDSH contributor Ted Newsom into a Hammer monster, seen here with Steve Zodiak, who supplied the picture seen right.]




"Verne Langdon, makeup artist, musician and mask maker who worked at Don Post Studios, brought his special knowledge to the eager crowds. Even Don Post Jr. was in attendance and discussed his father’s famous maskmanufacturing studio. Many more events including a tribute to Vincent Price, film screenings and tips on prop and wardrobe collecting rounded out the three days of monstrous celebrations.

"James Warren, publisher of Famous Monsters of Filmland, Creepy, Eerie, Vampirella and many other beloved magazines, gave a talk about the behind-the-scenes happenings of his publications. I listened to Jim Warren's talk about the "true" story behind Famous Monsters. It was very interesting, but not as surprising as he seemed to think it was. He turned out to be very congenial and very friendly and talkative.


"Of course there were dealers there with tables piled high with wonders of all sorts. Masks, make up supplies, model kits toys, jewelry, t-shirts, accessories, belt buckles, art work, prints and enough monster junk to make the most hardened collectors dig into their wallets. Autograph seekers could meet and mingle with actors Julie Adams, Brinke Stevens, Michael Berryman, Doug Jones and Margot Kidder, as well as artists Bernie Wrightson, Bill Stout and Frank Dietz, plus the many special effects artists and makeup artists in attendance.

"There was even a model contest sponsored by Amazing Figure Modeler, which drew a respectable number of high-quality entries. It was a very full monster weekend, something we in Southern California have been hoping would appear for a long time. Now we have to hope that it re-appears next year!"




To see a plentiful plethora o' pictures from the event, check out Jim Bertges's Photobucket album of Monsterpalooza pics, and/or check the fantastic fotos from the fine folks of the Halloween Mask Association: Page 1, Page 2, Page 3, Page 4, Page 5, Page 6.


Forry Ackerman would have approved!

Sunday, April 12, 2009

Me want mask!


Watch this video about the new release of Verne Langdon's 1972 "Neanderthal" mask, and you'll want to be a cave man! Recommended by TDSH. Buy one and scare your friends! Perfect for watching FOX news in!

Wednesday, March 25, 2009

26th Annual Ohio 24 Hour Sci-Fi Marathon coming this weekend


This year's 26th Annual Ohio 24-Hour Science Fiction Marathon is less than 3 days away!

Featuring 12 feature films including a record 5 Major Premieres (Well, Major Premieres for the Midwest, anyway!) Be the first to see the Midwest Premiere of ALIEN TRESPASS starring Robert Patrick; the Midwest Premiere of MUTANT CHRONICLES starring Ron Perlman, Thomas Jane and John Malkovich; the warped eye-blowing, head-exploding futuristic TOKYO GORE POLICE; the newest Sci-Fi thriller from Spain, TIMECRIMES. AND the Midwest Premiere of FAMOUS MONSTER: FORREST J ACKERMAN featuring Ray Bradbury, Ray Harryhausen, Roger Corman, Joe Dante, Tim Sullivan, and John Landis, just to name a few in a tribute to Sci-Fi's ultimate fanboy!

Classic films will include ROBOCOP, ROLLERBALL, STAR TREK 2: THE WRATH OF KAHN, the rarely seen THE TIME TRAVELERS, THE THING FROM ANOTHER WORLD and the unbelievably bad CAT WOMEN OF THE MOON in 3D! As usually there will be over 75 classic Sci-Fi trailers, short-subjects including Marathon favorites such as GRAVITY, SPACE BOY and DUCK DODGERS IN THE 24 1/2 CENTURY. Hundreds of prizes will be given away during the many Marathon contests and the Annual Kostume Kahntest will feature a $100 Grand Prize.

The Marathon always has an interesting, fun mix of contemporary and classic films, along with some oddities and rare short films.

Be warned: the Marathon will likely have a lot of socially-clueless yahoos acting as if they were auditioning for MST3K through every film! (They certainly did last year; I was told this is a regular part of the event, sadly.)

Tickets are reportedly selling fast for this year's Marathon so order or pick-up your tickets today. Advance tickets are $33 and if any remain on Saturday, they'll be $36 at the door.

Tickets are ON SALE NOW online at: www.Drexel.net
Pay by phone by calling: (614) 231-1050,
Pay via Paypal to: scifimarathon@hotmail.com.

Locally, tickets can also be purchased at Laughing Ogre Comics, 4250 N. High St.; The Drexel Theatre, 2254 E. Main St. and the Radio Cafe, 2256 E. Main St. (during non-theatre hours).

The 26th Annual Ohio 24-Hour Science Fiction Marathon starts Saturday, March 28 at 12:00 noon and continues until 12 noon Sunday, March 29 at the Drexel Theatre, 2254 E. Main St.

For more information visit www.drexel.net or www.scifimarathon.com.

Thursday, December 25, 2008

Hairy, scary Bavari-an Christmas

Below are scans of pics lent by friend Steffi Staley of a Christmas parade in the German state of Bavaria, where Santa's evil sidekick Krampus, his demon friends, and witches all appear, the better to scare kids into being good. (A tradition I think is great for children-- although some disagree.)

This is a tradition that I wish would flourish here-- hey, we got the Christmas tree and Santa Claus from the Old World, why not Krampus and his kind? I live in a section of Pittsburgh that was home for the German immigrant community in the 19th and early 20th centuries, but the "Pennsylvania Dutch" Christmas monster known as Belsnickel seems to have disappeared completely from Christmas celebrations here. What a shame!

















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