Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Friday, December 24, 2010

Wonderful X-Men Xmas

Above is a detail from the two page piece "Merry Mutant Melodies" that appeared in Marvel's What The---?! comic in 1990. Marvel described it as an "X-Men, Excalibur, X-Factor X-Mas Extravaganza." It was written Kelly P. Corvese.

See the whole thing, as I did, by visiting the always fun site Wonderful Wonderblog at this link.

Thursday, November 25, 2010

"The Executioner"

From Marvel's WHERE MONSTERS DWELL #26, cover date January 1974. Originally appeared in UNCANNY TALES #9, cover date June 1953. Art by Myron Fass.

Click on each image to see the larger version.



HAPPY THANKSGIVING TO ALL TDSH READERS!

Monday, March 29, 2010

Castle Curse

As usual with me, I'm late in posting. This 1973 story from DC's Secrets of Sinister House is my very first comic book scan post, and I'd meant to have it loaded and ready* last month, just after Universal's The Wolfman was released. Oh well. It certainly has a Universal feel (elements of both the 1935 Werewolf of London and the original 1941 film The Wolf Man are present), but it has a darker ending than would have been done in the 1930s or '40s, and was a sign that restrictions of the Comics Code Authority had loosened.

This has never been posted on the 'net before, as far as I'm able to discover. Of course, all rights to the art and text are retained by others and are presented here temporarily. Written by Steve Skeates, with impressive art by Alfred P. Acala. Enjoy.










* Sounds like a description of me!
_______________________________

Relevant link-- Alfred P. Acala:
http://en.wikipedia.org/wiki/Alfredo_Alcala

Related link-- Steve Skeates:
http://diversionsofthegroovykind.blogspot.com/2010/01/sunday-funnies-genie-ous-of-steve.html

Sunday, March 28, 2010

Rest in peace, Dick Giordano

This is a post I don't want to have to make, but one of the mainstays of the comics world, and someone whose work was part of my childhood, died yesterday at age 77, about the age of my dad. Dick Giordano was a legendary artist and editor at Charlton Comics and DC Comics in the 1960s and 1970s, and his work at DC was large part of my comic book experiences when I was first getting into comic books. I'm sorry to hear he has passed on.

Giordano was an influential figure, helping to launch the comic book careers of artists and writers like John Byrne, Jim Aparo, Denny O'Neil, and Steve Skeates. He steadily rose up the editorial ladder at DC, until in 1983 he became Vice President/Executive Editor, a position he held for ten years. He also helped initiate the practice of paying comic artists and writers royalties based on comic book sales.
Read an interview where Giordano discusses changes in the industry during his career here at the blog 20th Century Canny Boy, where I got the image above.

Here's a Giordano self portrait I borrowed from this page of the official Dick Giordano website:


Read why Giordano wrote columns for DC for free, and why he always resisted being titled "editor-in-chief" while there at this link to an interview with the artist.

This Giordano-inked panel comes from DCcomics.com:


And this one that he pencilled is from Comic Book Resources:

The 1973 Batman cover below was inked and possibly pencilled by Giordano. It has his initials only, but comicbookdb credits the art solely to Nick Cardy; image source mycomicshop.com:


By accounts a very nice guy and well-liked in the industry, he will be missed.

Additional sources: Wikipedia, Newsarama, and the Classic Horror Film Board.


Tuesday, March 2, 2010

Midnight Tales outta school

I came across this comic book panel yesterday while surfing the web (Cowabunga!), and my first thought was: "These are MY people!"

I've always been an oddball among oddballs.

But it reminded me too that as a kid I used to buy Midnight Tales, an anthology comic published by the notoriously Cheap-with-a-capital-C Charlton Comics Group. MT was mostly horror-oriented, but the cover always had a gag, and a wrap-around story that introduced two or three spooky or sci-fi stories. The wrap-around stories always ended with a gag, too.

The white-haired gent and raven-haired babe you see above were Prof. Coffin and his daughter Arachne. These characters, whose investigations of reports of the strange and supernatural, which were part of the wrap-around story, were the only continuing characters from one issue to the next.

This next panel from another issue of MT I read yesterday reminded me that my interests were casually frowned on from the time I was young--

--and also reminded me of the time when I was 16 and wanted to date someone outside my race. (No, I'm not comparing the bearded woman above to any group.) Just that my choice was NOT exactly welcomed by everyone closest to me.

Finally, I remembered an MT story that I could use to fulfill the request of one Drunken Severed Head reader, Greg S. of Pittsburgh. He asked to see a "weretuna." Having poor Photoshop skills, I thought of a character from one ish of Midnight Tales who looked llike a "wereporpoise," and I think that's close enough:

The character is actually a mutant, but who's quibbling? Anyway, I hope Greg is satisfied.

Okay, back to reading trash.

Monday, November 23, 2009

Victorian Undead

Best comic cover art I've seen in ages:

This is the cover art for Victorian Undead #1, a new Wildstorm comic seriesout now that pits Sherlock Holmes and Dr. Watson against Romero-style style zombies and androids. (Or "automata" as they are referred to in the story.)

Well, you can't say the folks at Wildstorm don't have a sense of humor.

DC, parent company of Wildstorm, sent me a copy, and I enjoyed it. It's over the top, and not something Arthur Conan Doyle would have approved of, but the story by Ian Eddington is just too wacky not to like, with good characterization and dialogue (even if more influenced by the movies than real accounts of the Victorian age.) The art by Davide Fabbri is among the best I've seen this year, equalled only by the art by Fiona Staples in North 40 and her contribution to the Trick 'r' Treat multi-story graphic novel. I recommend Victorian Undead--I'd grade it a solid 'B.'

A comic shop locator for Americans can be found here, or you can order it in the U.K. at this site.

A more detailed review can be found here.

Thursday, October 8, 2009

Countdown Day 8: Halloween sights in old comic land

As Halloween approaches, you're thinking of the HALLOWEEN FUN you'll have October 31st.
But when Halloween arrives, my friends, be careful if you go out at night. You must BEWARE of midnight, THE WITCHING HOUR!

For if you should lose your way, you might take a JOURNEY INTO FEAR! Even UNKNOWN WORLDS--of FEAR!
In these places between the natural world and the supernatural one, you could be confronted by THE UNEXPECTED and the ASTONISHING---

You could come face to face with a GHOST-- a stalking specter from THE BEYOND!

Or even THE MONSTER OF FRANKENSTEIN--

Worse still--you might become victim to the nameless beast known only as THE THING!

Oh, heed me! Do not tempt THE HAND OF FATE--

or you may wind up caught in a WEB OF MYSTERY--a WEB OF EVIL!


Okay, back to our regularly scheduled mirth without worry.

Saturday, March 21, 2009

New monster comic!

If you love classic monster comics from the Golden and Silver Age of comics, you'll probably enjoy a new comic inspired by classic horror comics and old monster movies called Bane of the Werewolf. The first issue came out this month; orders can be taken here.

Created, written and illustrated by Rob E. Brown [REB] of Marvel Comics fame, it's a horror comic book that re-establishes the classic gypsy origins of the werewolf legend in mid-16th century France. (Think of the Hammer film Curse of the Werewolf.) The main character, Eliphas Moreau, finds himself at the mercy of a malevolent book, passed down through the ages and only entrusted to gypsy chieftains. Contracting lycanthropy (werewolfism for you non-highbrow types), he is "bombarded by the many horrors of the occult world...while he struggles to keep his humanity intact as he fights to save the people he loves," (or so saves the wordy press release, which goes on to say, "The comic is akin to the silver-age horror comics produced in the 1970s, with guidance taken from black and white, classic horror films of the 1930s-40s.")

The art and writing solid and I'm looking forward to more issues. Recommended.





Related links:

The Bane of the Werewolf website.

The Making of Bane of the Werewolf.

Saturday, November 8, 2008

Riff on a classic comic strip

Adam G at Cool-Mo-Dee-- a blog I recommend-- posted a classic Peanuts strip this week. It was part of his sharing the news that United Features Syndicate has put online their entire comic archive for free. This includes a 50 year archive of Peanuts strips.

This summer I was sent an satirical version of the exact same Peanuts daily. It's how Schulz' creation might be if written for today, say for an alternative weekly. It made me laugh.

I've posted it down far enough that you'll have to scroll down to see it, 'cause it ain't meant for young children to read:





















Friday, October 24, 2008

To Be Haunted Is A Riot

Or, I'm desperate to post something and found some covers I liked and thought I'd put them up...




Friday, October 10, 2008

Halloween should be...

an EERIE night...






and a night that fills you with FEAR...




as you are HAUNTED --


by the STRANGE MYSTERIES you come face to face with!






To look at the insides of great horror comics like these, visit the blog HORRORS OF IT ALL, where host Karswell adds new comics EVERY DAY!

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