Showing posts with label Verne Langdon. Show all posts
Showing posts with label Verne Langdon. Show all posts

Tuesday, October 27, 2009

Recommended for Halloween!


BORIS KARLOFF AND HIS FRIENDS is a legendary LP from the late Sixties. On it, Monster Kids from that era were treated to an audio trip thru Hollywood horror history with Boris Karloff as the host. It was conceived and co-produced by musician, makeup artist and mask-maker Verne Langdon, who also created the classic albums The Phantom Of The Organ and Vampyre at the Harpsichord. It featured a script by everyone's "Uncle Forry," Forrest Ackerman, the editor of Famous Monsters of Filmland magazine.

There has never been a tape or CD release of the record since that time.

Until NOW!

This CLASSIC RECORDING from Electric Lemon Record C0. has been DIGITALLY RE-MASTERED as a CD from NEWLY-DISCOVERED ORIGINAL 15 IPS TAPE MASTERS! This never-before-heard Monster Mania Master has never sounded so good.

A hallmark of horror for your sense of hearing, it takes you back to that Golden Age in "Horrorwood, Karloffornia", when all those Universal-ly loved monsters were up to no good on the silver screen. Besides King Karloff, you'll also hear Boris's friends in frightdom, such as Bela Lugosi, in clips from the milestones of monster movies.

Boris' magnificently malevolent voice is elegantly backed by the musical grandeur of the massive, 34-ranks-of-pipes WURLITZER THEATRE ORGAN, with a score specially composed by Verne Langdon for the album.

The ORIGINAL AN EVENING WITH BORIS KARLOFF AND HIS FRIENDS is where the celebrated collector's album all began, and the CD's booklet includes Verne Langdon's personal account of the afternoon spent with Mr. Karloff. ALSO included are photos taken at the session from Verne Langdon's own personal photo collection. Never before seen pics of the King of Horror? I SO have to buy one of these! This really is one of my favorite records, and I highly recommend it!

You can too--HERE!

Friday, June 5, 2009

Monsterpaloozy was a doozy!


The West Coast AT LAST has a convention for classic monster fanatics. The first ever MONSTERPALOOZA was held in May in Burbank, CA, and by every report, was a superb event. Crammed with models, masks, makeup and effects artists doing their stuff, panels and presentations, genre actors to meet, and vendors galore, the buzz afterward has been overwhelmingly positive. Better than a poke in the eye with a sharp stick! (Or a missile, in the case of the above pic.) Creator/producer Eliot Brodsky deserves a kajillion kudos!

Master monster model-maker Jim Bertges, writer for KIT BUILDERS magazine, and loyal reader of TDSH, (seen below right with monster mensch Richard Olson) sends this report:


"I don’t want to sound like I’m complaining or anything, because where I live, Southern California, is a pretty easy place to get used to. Sure our hills catch on fire every summer, and the ground shakes a bit from time to time, but we don’t have tornadoes, blizzards, floods or even much rain or snow on a regular basis. However, you’d think that the Los Angeles area, center of the film industry, home of Special Effects and Mecca of Monster Make-up could muster one measly little interesting show for those of us who enjoy our creepy creatures and menacing menaces and all the products and memorabilia that comes with them every once in a while. We’ve had shows in the past, but they’ve come and gone, leaving us reading us reading about far off places like Kentucky or New Jersey or even England where annual shows celebrating monster stuff, horror films and all the accoutrements are well-attended events. Well, we finally got a good one, Monsterpalooza! It’s about dang time.

"Presented by Elliot Brodsky’s Rubber Room, a site devoted to collecting all sorts of latex masks, Monsterpalooza was held at the end of May in Burbank, right across the street from the Bob Hope Airport. The venue was the Marriot Hotel Convention Center and it was the perfect size for the event. Not so large that everything was spread out and not so small that everyone was piled on top of each other. The great thing that was done with this show was securing the participation of many of the Special Effects shops that are in the near by area. Not only did Amalgamated Dynamics, KNB EFX, The Chiodo Brothers, Burman Industries and many other high end movie effects and make up companies attend, they brought some of their coolest stuff along and set up a walk through exhibit featuring dozens of full sized creatures and props from movies too numerous to mention.


"This display was complimented by panels, discussions and demonstrations of make uptechniques as well as tributes to well-known makeup artists of the past like Jack Pierce, John Chambers, the Westmores, Tom Burman and Dan Striepeke.


[Makeup artist John Goodwin made TDSH contributor Ted Newsom into a Hammer monster, seen here with Steve Zodiak, who supplied the picture seen right.]




"Verne Langdon, makeup artist, musician and mask maker who worked at Don Post Studios, brought his special knowledge to the eager crowds. Even Don Post Jr. was in attendance and discussed his father’s famous maskmanufacturing studio. Many more events including a tribute to Vincent Price, film screenings and tips on prop and wardrobe collecting rounded out the three days of monstrous celebrations.

"James Warren, publisher of Famous Monsters of Filmland, Creepy, Eerie, Vampirella and many other beloved magazines, gave a talk about the behind-the-scenes happenings of his publications. I listened to Jim Warren's talk about the "true" story behind Famous Monsters. It was very interesting, but not as surprising as he seemed to think it was. He turned out to be very congenial and very friendly and talkative.


"Of course there were dealers there with tables piled high with wonders of all sorts. Masks, make up supplies, model kits toys, jewelry, t-shirts, accessories, belt buckles, art work, prints and enough monster junk to make the most hardened collectors dig into their wallets. Autograph seekers could meet and mingle with actors Julie Adams, Brinke Stevens, Michael Berryman, Doug Jones and Margot Kidder, as well as artists Bernie Wrightson, Bill Stout and Frank Dietz, plus the many special effects artists and makeup artists in attendance.

"There was even a model contest sponsored by Amazing Figure Modeler, which drew a respectable number of high-quality entries. It was a very full monster weekend, something we in Southern California have been hoping would appear for a long time. Now we have to hope that it re-appears next year!"




To see a plentiful plethora o' pictures from the event, check out Jim Bertges's Photobucket album of Monsterpalooza pics, and/or check the fantastic fotos from the fine folks of the Halloween Mask Association: Page 1, Page 2, Page 3, Page 4, Page 5, Page 6.


Forry Ackerman would have approved!

Sunday, April 12, 2009

Me want mask!


Watch this video about the new release of Verne Langdon's 1972 "Neanderthal" mask, and you'll want to be a cave man! Recommended by TDSH. Buy one and scare your friends! Perfect for watching FOX news in!

Wednesday, February 25, 2009

A report on "Schlitzie's Day"


Verne Langdon sent the following report (with minor editing by me) on the memorial service and headstone dedication held for Schlitzie, the "pinhead" who was exhibited in carnival sideshows and immortalized in the film Freaks. Many people had contributed financially, and with their time, so that Schlitzie could have a gravestone. On Feb. 20th, the 77th anniversary of the premiere of Freaks, fans and friends gathered to pay tribute to Schlitzie's memory.

*********************************************************************************


SCHLITZEPHILES ONE AND ALL

SCHLITZE'S DAY was a resounding success.

On February 20, 2009, a group of friends from http://www.findadeath.com got together to hold a memorial service for Schlitze the Pinhead, whose earthly remains lay in an unmarked grave for nearly 40 years.

Following a beautiful journey to Queen Of Heaven Cemetery in Rowland Heights, California where Schlitze's remains are interred in a now-marked grave (see photo), those in attendance dressed the gravesite in beautiful floral arrangements, and Bryan Moore - himself an enormous Schlitze fan and historian - magnificently delivered an extremely well-constructed eulogy accompanied by a brief, emotional tribute to Schlitze by writer-composer-musician-producer Verne Langdon, who actually met, observed and knew Schlitze.

Tribute Part One: http://www.youtube.com/watch?v=QChOCz9zxS8

Tribute Part Two: http://www.youtube.com/watch?v=iW_zA8G5z2s

After a near hour-long service and photo ops at the Schlitze gravesite, the group of nearly 30 Schlitzephiles from all over the United States proceeded to world-famous downtown Los Angeles local eatery Philippe's, home of the mouth-watering double-dipped beef sandwich as well as other fantastic food fare. Philippe's was a part of Schlitze's life in that he - along with other members of the legendary Paul Eagles Circus & Carnival Club - dined there often when wintering in Southern California. Following Philippe's it was on to hallowed haunts of Schlitze, including MacArthur Park in downtown Los Angeles where Schlitze would chase the ducks and his caretakers would sell his never-ending supply of souvenir photos from Schlitze's glory days on the various carnival midways, Schlitze's last known residence as verified on his Official Certificate Of Death, and of course the county care facility -Fountain View - in Hollywood, California, where Schlitze spent 48 hours or so before expiring on September 24, 1971, of Broncho Pneumonia brought on by Medullary Depression.

"Schlitzie - he had no choice. As I grew older I had a choice. I could stay in
show business if I wanted to. He had no choice, so - I don't know how to
express it about him but he - he just wasn't able to do anything else. Quite
often you would get a crowd that thought they were funny, that they were
funny and they would torment him or something like that but usually there
were some roustabouts around that would see that that was broken up in a
hurry and they were not allowed to torment him."

- Jeannie Tomaini, the half-girl, in "Freaks Uncensored"

The day was memorable for so many reasons, and may turn into an annual event, held on the 20th of February each and every year -- the day we have come to know and love as "Schlitze's Day"!


Findadeath founder Scott Michaels (4th from left, front row), Heather & Bryan Moore (2nd row left, then Shelly Lichoff, Verne Langdon, and Micah Harris, back row between Shelly Lichoff & Verne Langdon -Michael Kriegsman. Others unidentified.

A slideshow presentation by Phil De Croocq on the day's events can be seen here.

Sunday, February 8, 2009

A Headstone for Schlitzie

Well-known makeup artist, musician and mask maker (and friend to The Drunken Severed Head) Verne Langdon has sent me word that "Schlitzie" of Freaks movie fame has at last gotten a gravestone. It will be officially unveiled at 11:00 a.m. on February 20th.

It will be 77 years to the day after the premiere of Freaks; and coincidentally the same weekend as the Oscar ceremonies, where a more famous late movie star will be honored and remembered.

Here is an announcement of the informal memorial from Verne Langdon:

"On Friday morning, February 20, at 11 AM, a caravan of several dozen or more people who have for the most part never met one another in person, will wend their way to a cemetery, stand at a grave for a few moments for a quiet prayer spoken for someone most of these same people have never met, and did not know in life. They will take tremendous pride in their mysterious accomplishment, then exit the cemetery and go on about the day, visiting the deceased's favorite locations around Los Angeles, including his last known residence and place of demise.

"The Schlitzie Memorial will be a quiet and dignified ceremony. It will be a spiritual celebration. And those attending will be there to truly pay their respect to a man who spent most of his life being called ‘pinhead’ and ‘freak’.

"Schlitzie spent almost 40 years entertaining millions around the world and lining the pockets of many promoters, movie studios and artists. Yet the man, through no fault of his own, died penniless in a county convalescent facility and was laid to rest in an unmarked pauper's grave.

"It has taken almost another 40 years for Schlitzie to finally get a little something back for all he gave.

"There will be no carnival. There will be no sideshow. There will be no movie sets.

"There will, however, be quiet on the gravesite. There will be dignity. There will be respect.

"And finally, there will be a gravestone, for Schlitzie."


Learn about Schlitzie at http://www.findadeath.com/Deceased/s/shlitze/shlitze.htm.

If you wish to send a representative to cover any part of the day, or wish to simply attend, please direct all inquiries, media or otherwise to:

Verne Langdon

Contact e-mail:
vernelangdon@cox.net

Friday, December 5, 2008

Goodbye, Uncle Forry: Famous Monsters Speak


Today the sad news was announced that Forrest J Ackerman died late last night at age 92.

I'll be posting my own thoughts on the life of horror/sci-fi film fandom's Uncle Forry, but first I want to share remembrances graciously shared with me by Forry friends and fan favorites Verne Langdon and James Warren.

James Warren
:

This will be one funeral I never wanted to go to.

I always thought he would outlive me.

I thought he would outlive everyone.

And in a way he will.

They're going to remember his name long after we're gone.

A lot of people are saying he was a good man.

He was not a good man.

He was a great man.

His friends adored him.

His fans couldn't get enough of him.

People he never met idolized him.

His enemies hated him because he was a better man than they were.

During those golden years I was his publisher my emotions toward him ran from:

- Irritation
To amazement,
To admiration,
To fondness,
To affection,
To love.
True Love.

I was dazzled by his enthusiasm. Humbled by his abilities. Captivated by his style.
He was so good at what he did.

He was warm.

He was funny.

He was precious.

That's why it's so terribly hard to say goodbye.


In all the years I knew him I never once heard him raise his voice in anger. He always spoke - and sang - in a quiet voice.

He spoke softly. He spoke low. He would always speak low.

Like the song:

"Time is so old,
But life is brief.
Forry was gold,
And time - a thief.
We're late,
It's getting late,
The curtain descends,
Everything ends
Too soon,
Too soon ..."

Now he's with the great Talents he loved.

Al Jolson.
Marlene Dietrich.
Sammy Davis.

To them we say: "Welcome him. Enjoy him."

We did.

For ninety-two years.

Forrest J Ackerman, it's time to get into that space ship and fly.

Fly right over the Horizon. Just like you used to. And while you're up there, look down and see the million lights shining on Planet Earth.

Each one is a young reader you influenced.

Each one is a part of the Legacy you gave to us.

So long, Forry.

Have a good trip.

Have a great trip.

I'll see you later.

- Jim

Verne Langdon, who called FJA "a Man among men," remembers Forry:

On Thurday, October 30, Joe Moe, my wonderful friend and caregiver/protector/compadre/right hand to Forrest J Ackerman -- phoned to tell me he was bringing Forry home from the hospital and that Forry had asked to see me.

I was one of a small group he had either the energy or the desire to see one last time - and I rearranged my business and personal matters and headed down the coast to him, even as another dear friend of equally many years-plus -- James Warren -- was doing the very same, granting Forry's wish and flying a far greater distance than I drove, for the very special time, last time in this lifetime at least, to be near to our dear "EF-JAY". The first day (October 31) I visited him his front lawn had been transformed into a cemetery, complete with headstones and skeletal hands reaching up from the soil.

I was appalled at the sight.

Who could be so callouse as to play such a ghoulish prank? Who? Who, indeed! Forry. That's who. It was Halloween, after all, and he wanted the children to have "the mood" of his favorite holiday. In the living room window some of his most-favorite frightening faces stared out for every trick-'r-treater to see and be spooked by! That's why he'd asked to be brought home from the hospital - so he could watch the kids come up his driveway on Halloween night - past the headstones and famous monsters in his window - to his porch and front door for their treats.

No tricks? Sadly, the "trick" is on all of US, that "trick" being that that was Forry's final Halloween.

You're going to hear a lot from people who have no idea of "what killed Forry": Heart attack.

Stroke.

Etc.

Truth be known, congestive heart failure was his Prince Sirki, along with old age and natural causes.

Plus he was tired of not "being able to taste" his food.

By his own woeful description to me, "I'll never be able to taste a hot dog again." What is life without being able to taste a hot dog? No life at all. And so, his hourglass was on "empty".

On October 31st when I saw him he could barely sign his name. He was kept warm by, of all things, a black blanket with little white dancing skeletons printed all over it. I told him I thought it was sick, and he was absolutely delighted with my sincerely-horrified reaction. Forry was intent on regaling me with stories about him and Jim and their bad-boy "exploits" in the Big Apple and elsewhere. He of course assaulted me with "Baby Face" as only Forry can sing it, and we whiled away the very precious time smiling, laughing (weakly), and more than once my tears rolled freely down my cheeks, as when he made great effort to tell me I was the "best" MC at any of his birthday bashes, "ever".

As I sat there with him, in the battered remnants of his once-massive-now-mini collection of magical monster and moonfan memorabilia, it became increasingly clear to me that for all his collection, Forry's most treasured, nay cherished "possessions" were not possessions at all, but rather accumulated favorite people nearest and dearest to him, his proteges, his Special ones, his feted ones, his Friends. Forry and Jim Warren made magazine history together, and so it is of course fitting that Jim Warren spent much of Forry's final days with him as well. I was with them for most of it as they sang Jolson songs together, laughed easily about times gone by, and loved one-another as always they did. I watched as long as my aching heart could take it, then I quietly stepped from the darkened room and cried like a baby. I was not the only one; Jim was affected the same way, as were others who paid their last living Respects.

FJA's work will survive him for all to see in back issues of his and Jim's magazines, on liner notes of my albums, in the fine script he penned for our "An Evening With Boris Karloff And His Friends" Decca LP album for all to hear, and so much more work elsewhere.


Forrest J Ackerman was a man among men, First in the field of One, an enigma both enigmatic and charismatic at the same moment, and - above ALL else - a true, genuine, bonifide, satisfaction-gay-ron-tee'd COLLECTOR, bigger and better than any other "collector" I've ever known.

In fact, Forrest J Ackerman was the "Grand Daddy" of them all, the prototype where all the other monster and sci-fi collectors actually learned to be "collectors."

Forrest J Ackerman: Once he was ours.

Now he belongs to The Ages.

Aloha, old Friend.




(L-R) JAMES WARREN, VERNE LANGDON, FORREST J ACKERMAN
"THE THREE MUSKETEERS!"

Thursday, August 14, 2008

Expired clowns, Verne Langdon, and Me: Part Two


Below is the "expired clown"* who was most on my mind when recently I contemplated how much the image of clowns has changed since I was a kid. I blame news and photos of John Wayne Gacy with having the most negative impact on how we think of clowns.



This face, with its angular makeup design (you could describe it as sharp-edged), and bald head with no visible ears, was seen by millions of TV news viewers in 1978-- the year of his arrest-- and again in 1994, the year of his execution. No wonder today people see clowns as creepy with this murderous buffoon becoming so widely infamous.

In a phone conversation with Verne Langdon (a Hollywood makeup artist for many years, distantly related to silent film "clown" Harry Langdon), I asked him if he felt the same way. He didn't agree entirely, but felt Gacy "did have an impact." He also identified "lipstick clowns" as part of the problem. The term, he said, was one used by professional clowns to refer to the amateur who wears a banal (or worse) makeup design and performs at children's birthday parties, parades, charity events, mall openings, etc. (The kind that typically wear cheap "rainbow 'fro" wigs.) "Typically, they're dentists, attorneys, businessmen, with little understanding of the true Clowning Art - including makeup. They won't shave their mustache or and beard, but try instead to work it into their character's makeup" said Langdon, and generally look disappointing, as compared to "the professional career clowns of yesteryear who worked for circuses." The lack of performing talent is a problem for some of these clown wannabes, who rely too much on looking like what they think a clown should look like and acting silly. "Generally speaking, the makeup isn't funny, it's the face underneath making expressions that make clown makeups work," he said. "Too many real clowns are gone. It's a hand-me-down profession that just dried up and blew away."

He pointed out that the lipstick or party clowns are seen close-up, and that can be frightening to a small child. Professional circus clowns don't pick up kids or get right in their face; "kids judged those clowns from a distance as they performed, usually," he said. He recalled a photo-op picture of Liza Minneli as a small child looking "apprehensive and terribly concerned" while being held by Pinto Colvig in his original Bozo the Capitol Clown makeup. And Minnelli would have been used to seeing adults wearing makeup and costumes. A clown's appearance is so out-of-the-ordinary it can be frighteningly weird to a child, much like Santa can be.

Of course, it probably didn't help the clowning profession that the world's most famous clown for the last 40 years is this guy, a shill for junk food:


Of course, I refer to the clown on the right. (From the look on their faces, I'd say both of them were getting super-sized.)

Some photos of truly bad lipstick clowns can be seen here, here, and here.

Langdon said he was less concerned in the way clowns are perceived than in the way circuses are perceived. He longs to see them under canvases again, and with elephants, whom he adamantly insists are not mistreated as PETA, primarily, claims.

But such grand entertainment like an old-fashioned circus is fading, because, Langdon says, "we're a fast-food society, in a hurry. We demand things right now and again in an hour."

I asked about how he got interested in clowns and clowning. He said he was fascinated with clowns from seeing his first circus when he was five. So it was only natural that as a boy of eleven he'd be pulled out of school one day by his father and mother and taken to the Ringling Bros./Barnum and Bailey circus, to watch them unload and see the Big Top go up, and meet the clowns before the matinee. That day he met famed Ringling veteran clowns Felix Adler and Emmett Kelly, who invited him to watch them make up for the show.

Not long after, when visiting Polack Bros. Circus with his mother, young Verne met the famed "picture clown" Harry Dann. Fascinated by Dann's meticulously-detailed, classic makeup, Verne asked the performer if he could touch it. Dann gave permission, and when the young Verne felt the clown's powdered face, he was amazed that the makeup felt dry and didn't smear. Like it was real. And there was green eyeshadow in the clown's makeup design, something never seen then, because most formulations for green greasepaint were toxic.

Verne was so fascinated with clown makeup and clowning that Dann invited him to hang around backstage in "clown alley" and observe the clowns applying their makeup and working in the show. Verne was encouraged to return as often as he liked; he was welcomed because of his interest and the fact he was quiet and stayed out of everyone's way. The clowns liked and therefore befriended him. As an adult in the 1970s, Verne dabbled in circus clowning himself, performing with the Dewayne Bros. Circus and the famous Ringling Bros./Barnum and Bailey Circus.

Eventually, things came full circle while he worked as a clown. A kid who was fascinated by Verne's makeup approached Verne and asked if he could touch it. "The youngster was amazed my makeup was dry and didn't smear! That gave me goose bumps as I recalled my first meeting so many years before with my circus pal Harry Dann."

Speaking of things that cause goose bumps, the fear of clowns is a real disorder, known as coulrophobia. From a National Geographic documentary comes this clip profiling a woman suffering from severe coulrophobia.

Below are two pictures of Verne Langdon from his days as a professional circus clown. The first is a publicity photo for the Dewayne Bros. Circus, the bottom one is from his time at Ringling Bros. & Barnum and Bailey. Standing next to him is Mark Anthony.


Personally, I love clowns. Used to watch Bob Keeshan, Marcel Marceau, and Red Skeleton clowning on TV when I was a kid-- also dressed and made myself up as a hobo clown back then to entertain my baby sister. But if you're a clown bigot (the last acceptable prejudice ;^P ), you'll want to read this funny essay by a clown-hating young woman .

I'll close with a clown joke:

Two cannibals are eating a clown. One asks the other why it took so long to fix supper. The other cannibal replies, "Have you ever tried to clean a clown?"

Recommended website: PAT CASHIN'S CLOWN ALLEY.NET

* I like the term-- it sounds like a clown that is past its freshness point and is turning sour.

Wednesday, July 30, 2008

Expired clowns, Verne Langdon, and Me: Part One



These faces are the images people associate with clowns today. But it wasn't always so.

Clowns and the macabre have been on my mind for quite some time this year -- and not just because there are political campaigns going on right now! Obituaries of some famous clowns have appeared this year, the most famous of which was Larry Harmon, the man who popularized the character "Bozo." (A clown I watched a lot as a kid.) Harmon had gained notoriety in 2004 when the International Clown Hall of Fame in Milwaukee took down a plaque honoring him as Bozo. He had never credited the creators of the character, writer Alan W. Livingston and clown/actor Pinto Colvig, the first Bozo.

Harmon died on July 3.

In March, the world's oldest professional circus clown, Joe Vani, (a/k/a "Joe Sherman") passed away; he was loved and respected by other circus clowns. (Just typing that sentence made me think of the words "clown love", a phrase that has me laughing.) His obit (written by Verne Langdon) can be read here. In part, it reads, "Joe liked to recall one of their most popular acts, 'the hot doggie' - a clown steals hot dogs from a clown vendor and gobbles them down, then gets sick and has his stomach pumped by clown doctors and out comes a little dog! The audience cheers, the clowns take their bow and exit, followed by the dog walking on its hind legs."

A funny, though somewhat macabre (or at least weird) bit, but a classic!

If you'd like to buy a Vani t-shirt (one kind seen here, another here) -- send a total of $24.97 to Art Bausman, 2713 California Ave, Kettering OH 45419. All funds will go to the Shrine Hospital for Crippled Children in Tampa, FL. (That was Joe's Vani's wish.) There are only a few left and they are strictly while supplies last, so hurry. (In stock: B&W-- 2 L, 5 XL , 2XXL. Color: 10 XL.)


Finally I've been thinking of the Ringling Bros./Barnum & Bailey clown Harry Deems Dann. I remember seeing, as a kid, books, magazines, and circus posters with his picture on them. And I saw him at a circus performance as a child growing up in the hinterlands of Arkansas. But the celebrity memorial website Find-A-Grave will not allow a bio for Dann to be listed among bios of "famous" people, even though they do for such, uh, household names as clowns Felix B. Adler and Chester Sherman. (Dann is on the right on the book cover seen here.)

This is arbitrary, and sillier than any clown antics under a big top. One of Find-a-Grave's administrators dismissed Dann as worthy of inclusion as "famous", though Dann is mentioned at Wikipedia in three places, and at one entry, is described being among the most "august of the augustes." Also, this dissing dismissal comes in in spite of the fact that Dann is an inductee of the International Clown Hall of Fame, influenced other circus clowns, and when he was alive, was referred to by the Ringling Bros. and Barnum & Bailey Circus as "America's Picture Clown," as his circus character had appeared so often in the press.

Guess the Find-A-Grave administrator is a clown, too! He is certainly behaving like a bozo.

You can read Dann's "non-famous person" obit at Find-A-Grave here. Leave a sentiment of respect, or put up a link to the entry at your own website or blog, and maybe Find-A-Grave will reconsider.

I was never afraid of clowns as a kid. I liked 'em for much the same reasons I liked monsters: they were out of the ordinary and odd looking, which of course delighted me.

I talked with former professional clown Verne Langdon about all this not long ago. Coming in Part Two.



Sunday, July 20, 2008

SEE the UNHOLY THREE at COMIC-CON!











If you had the wisdom to buy your San Diego Comic-Con tickets in advance-- 'cause now they are SOLD OUT of the 125,000 available-- you can see this weekend three VIPS of the Imagi-Nation: Forrest Ackerman, Verne Langdon, and James Warren! Whatta lineup! Ackerman and Langdon worked together on the record "An Evening with Boris Karloff and Friends," and Langdon's masks and makeup appeared in or on James Warren's magazines, such as Famous Monsters of Filmland, edited by Ackerman.

But wait, there's more! Famed author Ray Bradbury, lauded master of imaginative storytelling, will there as well! If you are going to this con, then you've got a golden ticket, my friend!

Sunday, July 13, 2008

Carnival of Souls -- the music video

Not a music video based on Herk Harvey's 1962 film, but a video by Kelly Mann with a creepy Verne Langdon musical (de)composition of the same name as its soundtrack.

The video is a montage of eerie images set to a theater organ/calliope version of the Langdon tune, heard on Langdon's CD release, The Carnival of Souls Collection. (Physical copies available for purchase here, and for download purchase here; brief previews of the tracks can be heard at the latter link.) Recommended.

Verne Langdon is the musician (and makeup artist, professional clown, and mask maker) who recorded the classic spooky records Vampyre at the Harpsicord and Phantom of the Organ, among others. (Some of you will recall seeing 'em advertised in the back of Famous Monsters magazine.) The music in Carnival of Souls will bring back fairground memories to its listeners, and probably Halloween ones, too.

That reminds me. One Halloween back in the '8os, I sat in a movie palace, The Orpheum in Memphis TN, and listened to the stage manager play strange and spooky music on the magnificent Mighty Wurlitzer organ for me and some friends. I can remember the vividly weird images the music brought to mind; it was one of my best Halloween experiences.

So go click on the link and get a little creeped out.

Update: If you like the Kelly Mann/Verne Langdon video linked to above, then you'll want the hi-rez, expanded video that will be on dvd! Coming out August 1rst, from Warren Music Group. Coming to an online retailer near you!

Friday, September 14, 2007

Trader Verne Nixes Frankenstein and his Bride!


One of the most interesting people I know is Verne Langdon. A born entertainer, he has been a musician all of his life. But, multi-talented as he is, he has also been a makeup artist, mask-maker, circus clown, and professional wrestler. All of this is covered in an in-depth interview with Verne I just stumbled across here.

Boomer Monster Kids know his classic records Phantom Of The Organ, Vampyre At The Harpsichord, Music For Magicians, Poe With Pipes, and many others. He also conceived and produced the classic LP An Evening With Boris Karloff And His Friends.

He's also one of the most knowledge mixologists I know! So I asked him about the two drink recipes (a "Frankenstein" and a "Bride of Frankenstein") I posted on August 28. He had this to say:

"Nice drinks, but remove the booze and all you got is orange juice, grenadine, and a pinch of lime. Ridiculous.

"I'll take a Navy Grog anytime, and if you never heard me sing "Sippin' A Navy Grog", go to iTunes, Rhapsody, Amazon.com. or your favorite Internet music source and download it. Perfect to listen to whilst you're sippin' one yourself!

- "Trader Verne" Langdon

"P.S. If it's vodka for which you're thirsting, quaff Absolut, and then only in the stiffest of stiff Bloody Mary (Manhattan glass frosted, three cubes of ice, 1/2 vodka, 1/2 V-8 Juice, 1 shot Lea and Perrins' Worcestershire sauce, three dashes of Tabasco, and a teaspoon of pepper. Agitate gingerly, then toss in 7 or 8 pimento-stuffed green olives for "garnish", eating the olives one at a time as you down the carmine concoction. Great with breakfast, at lunch or cocktail hour, and always with a New York extra-thick & juicy steak, slathered in butter and garlic and hand-rubbed with Cajun spices, with wine-besotted (braised) mushrooms dumped atop the steak at the last minute while it's still sizzling. YESSSSSSS!"

Verne has a website I recommend ("Trader Verne" in my links section.) On the page titled "Uncorked Communications" he has some funny "Idiot Sightings" listed. While you're visiting, check out his drink recipe pages (accessed by clicking on the reddish-brown tiki god.) Verne urges you to drink responsibly, but that is soooo boring. Go for the gusto and wind up a drunken severed head like me!

I've had the pleasure of chatting with Verne on the phone on several occasions, and he has always had something interesting to say. He was always funny, and alternately warm and curmudgeonly. A thoroughly independent and energetic guy with many interests and enthusiasms and strong opinions. He could perhaps even be called a "lovable cuss".

I also urge you to check out his various CDs. Of his non-spooky releases, I recommend "Out Of Love" and "Love Is All"; some of the tracks in these show him at his most vulnerable and emotionally open. They are both to be found here.

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